Scott Ordway
Scott Ordway (b. 1984, California) is an American composer and multimedia artist whose work spans music, text, video, and photography. Described as “exquisite” (New York Times), “hypnotic” (BBC), and “a marvel” (Philadelphia Inquirer), his compositions have been performed at Carnegie Hall, Lincoln Center, Wigmore Hall, Park Avenue Armory, Hong Kong City Hall Theater, and at major international festivals including the Beijing Modern, Aspen, Bang on a Can, and Hong Kong Arts Festivals.
Ordway’s work draws deeply from literature, philosophy, and the humanities. Integrating his own poetry, video, and photography, he explores themes of ecology, spirituality, and the landscape of the American West. Recent projects include The End of Rain, a multimedia symphony for Roomful of Teeth and the Cabrillo Festival; The Outer Edge of Youth, a choral opera for The Thirteen; The Clearing and the Forest, an evening-length music theater work for SOLI Chamber Ensemble; and Nineteen Movements for Unaccompanied Cello, composed for GRAMMY-winning cellist Arlen Hlusko.
His music has been performed by the Hong Kong, Buffalo, Tucson, and Colorado Springs Philharmonics, and by ensembles including Lorelei, Roomful of Teeth, The Thirteen, and the Jasper, Momenta, and Daedalus String Quartets. Collaborating artists include Sasha Cooke, Emily Marvosh, Sonja Tengblad, and Anyango Yarbo-Davenport. Ordway has released four critically acclaimed solo albums on Acis, with additional recordings on Naxos, Bright Shiny Things, and TRPTK. In 2025, he will release two new choral recordings: North Woods with Lorelei Ensemble, and Three Kalevala Songs with the Rutgers University Kirkpatrick Choir.
Also active as a librettist, director, video artist, and photographer, Ordway has exhibited solo photography shows in Frankfurt and Boston. His work has been recognized with awards and support from the National Endowment for the Arts, NewMusicUSA, ASCAP, American Opera Projects, and the American Composers Forum, among others. He has held residencies at Copland House, Cabrillo Festival, Visby International Centre for Composers (Sweden), Willapa Bay AiR, Hambidge Center, and Haverford College’s Hurford Center for the Arts and Humanities.
Ordway studied at the University of Pennsylvania, University of Oregon, and University of Puget Sound, as well as the Freie Universität Berlin and Accademia Chigiana. His mentors include Samuel Adler, Azio Corghi, James Primosch, and Veljo Tormis. He currently serves as Associate Professor of Music and Head of Composition at Rutgers University, and lives in Philadelphia, where he previously taught at the Curtis Institute of Music.
For new commissions, performance inquiries, curatorial opportunities and appearances please contact Owen Summers: owen@summersartistservices.com
Works
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String Quartet
Look, and See What Is Before You (2025)
string quartet | 13’Brotherly Love (2014)
string quartet & recorded voices | 22'The Sky Itself Was In This Very Room (2014)
string quartet | 10'Handshakes (2011)
string quartet | 9’Piano Quintet (2008)
string quartet & piano | 8’Mixed Ensembles (3+ players)
The Clearing and the Forest (2019)
clarinet, violin, cello, piano | 72’Tonight We Tell the Secrets of the World: A Whisper Play (2016)
string septet, soprano voice, alto sax, lighting design, whispered voices | 25'Mare Vitalis: Part II "Townland" (2016)
piano quintet | 15’Mare Vitalis: Part III "Mistral" (2016)
organ & string ensemble | 12’Composition (in brass) (2016)
brass sextet | 5’Let There Be Not Darkness But Light (2012, rev. 2015)
clarinet, violin, cello, piano | 9’Piano Quartet: Slowburn/Fastburn (2011)
piano quartet | 8’ -
Nine Chorales After Ingeborg Bachmann (2025)
SSAA, two violins | 13’That Which Is Beloved (2025)
SATB | 4’Rights (2024)
SATB or TTBB, bass drum | 5’The End of Rain (choral version, 2024)
SATB, three vocal soloists, chamber ensemble, and video | 50’Watershed (2021)
SSAA | indeterminate lengthTwenty / Twenty (2020)
SATB | 7’You Are My Brother (2019)
SATB | 5’Baltic Trees (2017)
4-part open voicing | 5’North Woods (2014)
SSAA octet | 14'Three Appendices from "North Woods" (2014)
SSAA vocal ensemble | 3’Three Kalevala Songs (2014)
SATB | 7’Dona Nobis Pacem (2010)
SSAA vocal ensemble | 5’ -
The End of Rain (2022)
Orchestration: Chamber Choir—3.3.3.3—4.3.3.1—Timp.3 Perc—Hp—Cel—Str with documentary video
Duration: 50 minutes
Premiere: July 29, 2022, Cabrillo Festival Orchestration with conductor Cristian Măcelaru and Roomful of Teeth, Santa Cruz, CaliforniaCommissioned by the Cabrillo Festival of Contemporary Music, this 50-minute multimedia work for orchestra, voices, and projected documentary video is based on first-hand stories from 225 Californians about wildfire and drought, collected by the composer through interviews, focus groups, and public outreach in 2021. Structured in three movements—Emergency, Pastoral, and Requiem—the piece weaves a chorus of voices expressing fear, loss, resilience, and a changing relationship with the land. Each line of text is drawn from witness accounts, making the work a powerful act of collective memory and environmental testimony.
Also available in a version for SATB choir and chamber ensemble.
Perusal Score | Archival Recording Available Upon RequestIn the Kingdom of Bells (2018)
Orchestration: 2.2.2.2—4.3.3.1—Timp.2 Perc—Hp—Cel—Str
Duration: 13 minutesThis work imagines a fantastical moment: all the world’s bells ringing at once. Not a literal recreation, but a meditation on the emotional resonance such an act—born of supernatural force or collective human joy—might hold. Using modest musical materials to build large architectural forms, the piece explores how simple actions, when scaled or reimagined, can become extraordinary.
Perusal Score | Archival Recording Available Upon Request
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The Outer Edge of Youth (2020)
Choral Opera in Two ActsLibretto: Scott Ordway
Orchestration: Sop, Mezzo-Sop—SATB Choir—3 Vlc.Cb
Duration: 82 minutes
Premiere: May 13-15, 2022, The Thirteen with Amy Broadbent and Emily Marvosh soloists, Matthew Robinson, conductor, Washington, D.C.An inquisitive, dreamlike choral opera commissioned and recorded by The Thirteen (Washington, DC). Based on Ordway’s original libretto, The Outer Edge of Youth explores and critiques the relationships between childhood, landscape, aesthetics, and contemporary ideals of masculinity. Commissioned by The Thirteen with additional support from Cheryl Naulty and Walter Hill
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Letters to My Daughters (2025)
cello, piano | 25’You Are Welcome Here (2025)
piano solo | 4’Horizon (2023)
violin, piano | 6’Interior No. 3 “after us, the birds will sing” (2021)
violin, piano | 6’Interior No. 2 “the water drawn from wells” (2020)
cello, piano | 6’Quiet Music for the City of Hong Kong (2019)
two violins | 6’Prelude (In the Wide Spaces of the Day) (2017)
cello, piano | 7’Nineteen Movements for Unaccompanied Cello (2018)
cello solo | 50’Mare Vitalis: Part I "Breathmark" (2016)
piano solo | 12’Tell It Like a Secret (2016)
viola & piano | 5’On April 18, 2015, I Flew Over the North Pole (2015)
piano solo | 8’Snow Elegy (2013)
piano four hands | 5’ -
Expanse of My Soul (2024)
mezzo-soprano, piano | 13’We Are These and Many Other Things (2023)
soprano, violin, cello | 5’What You Tell Me (2023)
alto, piano | 12’Interior No. 1 “we are all made of time” (2020)
soprano, violin, piano | 1’Girl in the Snow (2018)
Mezzo-soprano, piano | 37'The Ceiling, the Treetops, the Sky (2018)
alto, piano | 4'Recuerdo (2017)
baritone, piano | 5'La Mort Des Amants (2015)
soprano, piano | 6'Detroit (2013)
soprano, alto, piano | 9'The Divine Madness of Vaslav Nijinsky (2011)
mezzo-soprano, piano | 12'It was the first time I’d left the house (in years) (2007)
mezzo-soprano/narrator and piano | 15'